And what’s a Robbie Burns Day without a little whisky? Here’s a fine quartet currently residing in my liquor cabinet:
Té Bheag: I mentioned this back in my pre-Burns post, and what I said applies still here. This unchillfiltered blend – it used to say it was a blended malt, but now it’s just “Blended Scotch Whisky,” which I take to mean a little grain alcohol has made it into the mix – is lightly to moderately peaty on the nose, a little iodiney, citrusy and smokey on the palate and an outstanding value whisky. Oh, and the pronunciation is not “Tea Bag;” it’s more along the lines of “Chey Vek,” which the label says is Gallic for “a wee dram.”
Oak Cross: This delight from the mad blending minds at Compass Box is a blended malt, and a lovely one, at that. Almost water light in colour, it has a wonderfully oaky nose that put me immediately in mind of leather wingback chairs, old oak panelling and smouldering cigars. The body, however, is bright and sophisticated, almost begging for a drop of chilled water to further accentuate its Highland character. A definite aperitif dram.
Hazelburn 8 Year Old: Speaking of light whiskies, this triple distilled beauty from the folks at Springbank is a true drop of elegance in a glass, with a pale hue, a zesty, slightly sweet aroma with fresh fruit notes like tangerine, Meyer lemon and gooseberry, and a body that turns first floral, then adds spicy vanilla before finally finishing with a lingering suggestion of peppery citrus and oak. Although the distillery notes I’ve received on this whisky in the past say it is entirely unpeated, I repeatedly – no pun intended – find this to be a tad smoky on the finish, making me wonder if it perhaps gets a touch of “contact smokiness” from the maltings Springbank operates on site.
Highland Park 1998: I bought this at the Cancun airport duty-free, which means you’re going to have a tough time finding it unless you’re travelling. But that’s really neither here nor there since the 13 year old displays much of the classic Highland Park character, it being a little of everything, from the marvellously balanced smokiness in its aroma to the full and complex palate blending rich fruit with brown spice and a touch of citrus peel, all ending in a deep, pillowy cushion of satisfaction. Enjoy it before dinner, perhaps with a drop of water, during dinner in a wide-mouthed glass or after dinner in a Glencairn glass; it’s just that versatile.
Now, I’ve no idea if Battle Creek is a hotbed of Scottish culture – I’ve never been – but if you told me it was I’d likely believe you. Because this beer is just so damn Scottish in almost every facet of its being that it’s hard to believe there’s not a Scot involved in some way with its creation.
The beer, a left-over from my
Because, you know, Ola Dubh deserves mention, and for multiple reasons. First off, the pronunciation. It’s not “Ola Dub,” folks, more like “Ola Due,” but with an exhaling at the end. It’s kind of hard to explain, and no doubt a Scot who reads this will be thinking “what the hell is he on about,” but the important thing is that the “b” is not pronounced.
I’ve been drinking Traquair off and on for years, first in the U.S. as an import from
At 7% alcohol, this may be a bit much for sessioning later today, but it’s certainly something I would be most happy to have in my glass come 9:00 or 10:00 this evening. And unlike my first Burns Day beer, this one, even though Kiwi in origin, has “Scottish” written all over it.
What it is, however, is tasty. Hopped with Cascade, Simcoe, Columbus and an experimental hop called HBC 342, and as such it has some significant hop complexity and bitterness, not necessarily a characteristic one tends to associate with Scottish ales not called BrewDog something-or-other. Fortunately, it manages to contain all this hoppiness fairly well, until the finish, at least.
