Category Archives: beer books

Hence My Lengthy Absence…

Wow, has it really been a month since my last post here? Apparently so, but in my defense, with good reason. You see, I’ve been drinking…

Okay, more seriously, I’ve been travelling in support of the North American release of The World Atlas of Beer, which I’m pleased to say has been very well-received by both the beer and general interest presses. Tim and I spent just over two weeks travelling from New York to Philadelphia, Raleigh-Durham, all over Texas, Denver and finally Chicago promoting the book. And yes, it did involve a fair bit of drinking.

My favourite event? Oddly enough, that came at the tail end of the trip, after Tim had buggered off to Quebec City, leaving me to handle Chicago promotions on my own. My first stop was Rockwell’s Neighborhood Grill, where I hosted a beer and whisky and cheese pairing during which everyone seemed to have a great time, the pairings clicked rather uniformly and rather amazingly no one got terribly drunk. Good hardy drinkers, those north Chicagoans.

Beer finds along the way were numerous and far too many to relate all in detail, but I can say for certain that I won’t soon forget lunch at Bull City Burger and Brewery in Durham – for reasons both burger and beer – and Natty Greene’s from neighbouring Raleigh likewise made an impression with their Minuteman American Rye.

Down in Texas, I had my first extensive sampling of the beers of Jester King and walked away quite impressed, particularly with the brewery’s low alcohol offerings. (Paging Lew Bryson! Lew “Session Beer” Bryson! Please come to the bar.) One day later, new arrival Karbach Brewing caught my attention with a few beers, in particular a commendably restrained Rodeo Clown Double IPA and a wonderfully toasty Karbachtoberfest.

Up in Denver, there were beers aplenty, but one that stuck out as particularly memorable was the Odell Porter aged in barrels formerly used to mature a fernet-style amaro made by the local distiller, Leopold Bros. Herbaceous, piney, mint and of course roasty, it was a love-it or hate-it beer for certain, but I fell resolutely in the former camp.

Then, in Chicago, there was that beer-whisky/whiskey-cheese thing at Rockwells. Let me tell you, if you ever get the chance to sample together  Knob Creek Bourbon, Goose Island Bourbon County Stout and the French cheese known as Brillat Savarin, aka “sin,” take it! You will not be sorry.

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The Northern California Craft Beer Guide by Ken Weaver

There are two kinds of beer guide in this world. The first is beer guide as information provider and tour guide. These types of books, which I would say include not just my two editions of The Great Canadian Beer Guide, but also the successful Stackpole Books series of eastern states breweries guides, are generally more utilitarian than they are captivating, meant to be pulled from the shelf and referenced occasionally, or stuck in the suitcase or glove compartment for an extended road trip.

The other kind is beer guide as beer porn. In this category, I would put most of Michael Jackson’s coffee table sized work, Ben McFarland’s World’s Best Beers, my and Tim Webb’s upcoming World Atlas of Beer, and Ken Weaver’s new Northern California Craft Beer Guide.

Beautifully photographed by Weaver’s wife, Anneliese Schmidt, this is the kind of book you can sit and read, as well as use to negotiate your way around the thriving northern California beer scene. I did the former, on my condo balcony with a beer at hand, and enjoyed the experience tremendously. I read of breweries, yes, but also of organic brewing and bottle cap jewelry, brewery tours and beer styles, the phenomenon of beer communities and the case for supplementing your beer touring with a stop or two for wine. (The last being accompanied by one of my favourite photos in the book, of the author looking sceptically at a sign directing him to a wine tasting.)

Along the way, of course, there are maps and brewery descriptions, as well as notes on local beer bars and bottle shops. Like Lew Bryson in his Stackpole guides, Weaver is not as concerned with rating the beers on offer as he is giving the reader an idea of what’s available and which he enjoyed the most. Where the bars and shops are concerned, he notes highlights and usually offers an observation or two on ambiance and menu offerings.

While it’s doubtful you’ll want to pick up a copy of this book if you’ve zero intention of finding yourself in the northern half of California in the foreseeable future, if you enjoy a good beer now and again and expect to visit once or twice over the coming three or four years, I highly recommend adding this to your traveller’s arsenal. It will whet your appetite for the trip to come, guide you while there and perhaps even prompt you to take a detour you might not otherwise have envisaged. And it will keep you entertained long after your return.

The Northern California Craft Beer Guide by Ken Weaver, Cameron & Company, Petaluma, CA, 2012. $21.95 list.

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Now THAT’S a Comment Thread!

You think the deluge of comments that occurred in this space following my “Sh*t (people) Do” series was entertaining? You ain’t seen nothing yet!

As usual, I am bettered by my British colleagues, in this case the Fabulous Melissa Cole*, who took umbrage with a statement BrewDog head James Watt made in Greg Koch and Matt Allyn’s book, The Brewer’s Apprentice. You should follow the link and read it for yourself, but the upshot of it all was that Watt felt that his experience with the British and U.S. brewing industries had lead him to believe theat the latter was far more open and friendly than the former.

And then came the comments!

Brewers are heard from. Writers sound off. The English and the Scots exchange words. Tempers become heated, then cooled. And it all makes for a terribly interesting read.

Go on, take 10 minutes and have a go at it yourself. Beer-based entertainment at its very best.

*Because the Internet is notoriously bad at conveying emotional meaning, I must add that I include “Fabulous” because I really do think Ms. Cole is fabulous, and not because I’m trying to be sarcastic.

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Gift Idea #3: Hops and Glory

Pete Brown’s story of transporting a keg of IPA from Burton-upon-Trent to India is not new. It’s coming up on three years old, in fact, which in the book publishing world makes it rather ancient. But I’m still going to tell you that if you know a beer aficionado who is even remotely literate, and they haven’t already read this book, then you should buy it for them, and they will love you for it.

Why? Simply because it is one of the most entertaining books ever written about beer, possibly THE most entertaining. And, as I noted in this review two and a half years ago, it’s not even really a “beer book” per se.

I won’t rehash my embarrassingly glowing review here, since I’m sure you’re capable of clicking the link if you so desire. And I’m not going to repeat my caveat about Pete (and his lovely wife Liz) being friends. I’ll just tell you again that it’s a damn fine read, and so you should buy it for someone close to you, and then get a second copy for yourself.

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Gift Idea #2: The Oxford Companion to Beer

Let’s get this straight from the very beginning: The Oxford Companion to Beer is not the sacred tome of beer writing and knowledge. It is not infallible, as has been ably demonstrated by numerous commentators, and represents a starting or jumping off point more than an end in and of itself. Some of the author assignments are, to be generous, curious.

(Full disclosure: I was asked by the Oxford University Press to assist them in the editorial vetting process for this book, which I did. I was also invited to contribute, which I did not.)

That said, however, most of the people who crack the spine of the OCB are going to be people with a passing to moderate interest in beer. They are not going to be scholars of the Martyn Cornell school, even if he were to have a school, and if they wind up erroneously believing that the Imperial pint bottle is “a popular size” in Britain, or misunderstanding the role and timing of the Anglo-Saxon involvement in brewing in that same land, the world of beer and brewing is unlikely to suffer as a result. (Although admittedly some of the mistakes are more troubling, especially those which perpetuate myths some of us imagined were well dead and buried.)

To put it all another way, I have in my personal library a copy of the Oxford Companion to Food, which I view as a great book. Sometimes I pull it off the shelf and just flip idly through it, discovering points of interest here and there, but never have I taken it down to read it entry by entry. (In fact, when looking for a specific reference, I’m more likely to turn to the Larouse Gastronomique.) This is how I imagine most people wil use the OCB.

And used in that fashion, it is a fine book. Often as I have perused it myself, I have found that one entry leads me to cross-reference to another, and then a third, and so on. It’s fun to read this way, and as such will make a splendid Christmas gift. Just make sure the person you give it to also knows about the Commentary wiki that has been established by Mr. McL for the good of all.

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British Beer Writers Honour Their Best

In case you missed the tweets, last night the British Guild of Beer Writers held their annual awards dinner and honoured some of the best scribes in their field, plus one brewer. Here are the awards in total:

Brewer of the Year 2011 – Evin O’Riordain, Kernel Brewery

Budweiser Budvar John White Travel Bursary – prize £1,000 plus trip to Czech Republic. Winner: Des de Moor

Shepherd Neame 1698 Award for Beer and Food Writing – prize £1,000. Winner: Mark Dredge

Thwaites Award for Best Corporate Communications – prize £1,000. Winner: Pete Brown.

Brains SA Gold Award for Best Use of Online Media – £1,000 & £500. Winner: Martyn Cornell; Silver Award: Mark Charlwood

Adnams Award for Best Writing in Regional Media – prize £1,000 & £500. Winner: Marverine Cole; Silver Award: Gavin Aitchison

Fuller’s ESB Award for Best Writing for the Beer and Pub Trade – prize £1,000 & £500 . Winner: Ben McFarland: Silver Award: Glynn Davis

Molson Coors Award for Best Writing in National Media – prize £1,000 & £500 Winner: Adrian Tierney-Jones; Silver Award: Will Hawkes

The Michael Jackson Gold Award – Beer Writer of the Year 2011: Ben McFarland

In my considered view, every winner is a deserving soul, and scanning this list frankly makes me realize how good British beer writing has become. Kudos to you lot for continuing to raise the bar!

 

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Mistakes in an Authoritative Volume About Beer

No, I’m not talking about The Oxford Companion to Beer. Not this time. Rather, the appearance of this story (thanks to Mixellany Limited for the referral), reminded me of that seminal series of food and drink books from the 1960’s, Time-Life’s Foods of the World. Or more specifically, the Wines and Spirits edition.

Written by Alec Waugh, Evelyn’s brother, and consulted on by Sam Aaron, Alexis Bespaloff and André Gros-Daillon, the book totalled 208 pages, including Glossary, Index and Credits, and featured all of two and one-quarter pages devoted to beer. Not much room in which to make howling mistakes, you might think, but then you would be wrong.

Consider the following, which admittedly echoed (or instigated?) what was thought of in my youth as common knowledge:

In the United States there is also a sweet potation called bock beer. It is made by using the sediment collected from fermenting vats when they are cleaned in the spring of each year. Bock beer is available only at this time, for about six weeks, and it was a good moment in New York in April, 1934 after the repeal of Prohibition to see the newly reopened bars placarded with the slogan “Bock is back.”

Adding commentary here would be gilding the lily, surely, save to note that, by comparison, the misrepresentation of the Imperial pint bottle as a “popular size” in Britain would seem a trifle.

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A Brief Note on The Oxford Companion to Beer

First off, let me say that I have been far too busy of late, and too ill at present, to give The Oxford Companion to Beer the attention it deserves. So, in this post, I will not presume to offer a verdict as to whether it is good or bad, accurate or lacking. This is commentary on the commentary, pure and simple.

Latest to wade in is Roger Protz, a fine man and a pioneering and remarkably prolific beer writer. In The Publican’s Morning Advertiser, (UPDATE: The post has since been removed. See comment by Alan McLeod below.) he writes:

For beer lovers with a passion for style, this is more a treasure trove than an encyclopedia.

And:

The Companion is hard to put down. Cross-referencing ensures a quick glance at one item will inexorably draw you into many other related sections. It’s a joy to read and has already widened my knowledge and appreciation of the subject.

Fair enough. As I said, I have not had the chance to indulge fully in the book and so have no opinion to counter Rogers. Or that of Pete Brown, at just-drinks.com, or Adrian Tierney-Jones, both of whom I number among the best beverage writers of my generation.

But then Roger continues:

In spite of this, the bloggerati have come piling in, damning the book and some saying it should be withdrawn. How they must wish they had been around in the 1930s when book-burning was in vogue.

(Martyn) Cornell expresses his thanks to a Canadian blogger, Alan McLeod, who has “started a repository for errors” in the Oxford Companion. What sad people. It’s an established fact in publishing that most encyclopedias and dictionaries contain errors that are corrected for subsequent editions. I’m told the Oxford Companion to Wine had around 1,000 errors in the first edition.

And now I must call foul! Every person mentioned thus far in this post, with the exception of McLeod, contributed to the book, including its perhaps harshest critic, Martyn Cornell. And while I understand fully the desire to defend a book the making of which one was involved in, I have a great problem with referring to those who would wish to correct the record as “sad people.” “Fastidious people,” perhaps, or even “sufferers of OCD,” if one wishes to go impolitic, but hardly “sad.”

This is a much different world that it was when The Oxford Companion to Wine was first published, with information, accurate and otherwise, at a person’s fingertips 24 hours a day, seven days a week. Some of the errors Martyn has pointed out are minutia, I will admit even if he may not, but pointing them out as present in a book of this scholastic heft is commendable, I would think. And McLeod’s interest in establishing a wiki to help rectify the errors and omissions is a nothing if not a laudable pursuit, particularly since it is an unpaid one.

I’ve written it before and now I shall write it again: The dialogue that has followed the publication of The Oxford Companion to Beer marks, as does the book itself, the maturing of the craft brewing industry and those who follow it. The accolades and the criticism and the controversy are all good, and signs that we, the global community of beer aficionados, are finally on the right path. As a veteran writer in this field, Roger should recognize this.

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On The Oxford Companion to Beer and Beer Writing

I finally obtained a copy of the much talked-about Oxford Companion to Beer a few days ago, and although its spine is barely cracked, I have something to say about it. Or rather, the discussion it has generated.

I believe the publication of this book to be a significant point in the development of beer writing, not because of what it contains, but because of how it has been reacted to by others, even some of the contributors. If you have followed the online chatter, you will know that this reaction has been both good and bad, considered and coddling, but almost always volatile. I think this is a very good thing.

I’ve been writing about beer for over two decades and have been by-and-large friendly with most of my contemporaries. In a way, beer writing has been a lovely international social club, to the point that for some writers, myself very much included, one of the great things about attending the Great American Beer Festival or the Great British Beer Festival or Zythos is not the event itself, but the chance to meet up with the rest of the “clan.”

With the arrival of the Oxford Companion, however, some ranks have been broken, or perhaps more precisely, existing fissures have become apparent. Most publically, Martyn Cornell and Ron Pattinson, both contributors to the book, have exposed errors within the text, some admittedly minor in appearance and others more significant, but all nonetheless notable mistakes within a scholarly text. Companion editor Garrett Oliver has shot back in his defense, a tad too aggressively in tone for some.

Me, I’ve sat on the sidelines, book not in hand, and thought how nice it was that there was finally developing some significant self-criticism within the world of beer writing. And although it makes me decidedly more nervous about the publication next year of my and Tim Webb’s World Atlas of Beer, that there are others out there who will identify errata and offer corrections is something which will ultimately contribute to the further development and maturation of this particular field of study.

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The Origins of “Craft”

One of the hot topics of beer blogger and beer blog commentator conversation of late has been the origin of the term “craft beer.” On more than one occasion it has been suggested that this is purely a North American term — which will come as a complete surprise to all the Italian, Danish, Japanese, etc. breweries which employ it regularly — and it has also been described as a marketing term invented by Americans.

Thus, it was with great interest that this morning I came across the following lines from Michael Jackson’s The World Guide to Beer, first edition, circa 1977:

A weighty heritage…in the Region du Nord [of France] craft-brewing survives, and there are one or two superb top-fermented specialty beers.

There you have it, craft used in direct association with brewing by a British writer referring to a European country, in the book that served as introduction to the world’s greatest beers for an entire generation of consumers, yours truly included.

I hope that settles that.

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